Saturday, April 21, 2007

20,000 Leagues Under the Sea

Jules Verne
"Guns? What for? Do not mountaineers attack the bear with a dagger in their hand? And is steel not surer than lead? Here is a strong blade, put it in your belt and we start."
"Gentlemen, there are two ways of dying in the circumstances in which we are placed.' (This inexplicable person had the air of a mathematical professor lecturing his pupils.) 'The first is to be crushed; the second is to die of suffocation. I do not speak of the possibility of dying of hunger, for the supply of provisions in the Nautilus will certainly last longer than we shall. Let us then calculate our chances."
First one aspect of this book should be made clear; I may be a particularly dense person but before reading it, I always assumed that 20,000 leagues under the sea referred to a vertical direction and some adventure which occurred at very great depths. This no doubt is the evidence of my inexperience with the sea, since 20,000 leagues is an incredible depth (impossible on this planet). Actually, it is a journey of 20,000 leagues which occurs mostly under the sea (in a submarine). If this misunderstanding was not your experience, have pity on me and don't ridicule me too badly.
As for the book, I would have to say it is an enjoyable read. Captain Nemo may be one of my favorite characters in literature, definitely of all Jules Verne's characters. His name is taken from the Latin for nobody, and his disillusionment with the world has become archetypal. At moments he seems to be the hero of the dispossessed, a man Robin Hood sort of breed who is exacting vengeance from the oppressors for the sake of the oppressed. One might be inclined to say that Nemo is too perfect, too much the Robin Hood to remain a man, but I would disagree with this statement. He has his dark sides too, far more than you might guess. Nemo has a side which reminds one of the "Jealous God" of Jeremiah and Isaiah.
The book's narrative structure is straightforward and Verne does a very good job of giving you things to keep reading for. There are points however where it seems that the journey is merely a series of points which Verne inserts to highlight and construct the story; almost as if he had a vision of the Nemo's character and did not have an accompanying vision of a vehicle to present it. If there is anything which holds the book back from being amazing, it is definitely this somewhat weak plot.
And of course one must touch on, if only lightly so as not to ruin the surprises Verne has to offer, the somewhat dissatisfying nature of the book's resolution. I have heard people say that the ending was anticlimactic and that it frustrated them, but without giving too much away, I would venture to say that it could not have been any other way. So do not be frustrated by an ending which does not fit your wonderful and expansive Hollywood ideas of special effects secrets. Remember when closing the book for the last time, Nemo could never fully step out of the shadows lest you realize how falsely constructed he really is. 7/10

Wednesday, April 4, 2007

A Small Town Called Hibiscus

Gu Hua
The cook instead of laughing simply gaped. Well, wonders never cease. Reading the little red book, singing and reciting quotations from the Chairman's works every day, overthrowing everything old, smashing Buddhas, razing temples, raiding homes, and now this "devil's dance"...were these the new culture, new ideology and new customs of the great Cultural Revolution? That cook must have failed to harden his heart and think like a proletarian, for when he filled Qin Shutian's bowl his hands trembled and tears started to his eyes.
Gu Hua's treatment of the Cultural Revolution in Hibiscus is perhaps one of the most damning condemnations I have ever read, and yet, it is surprisingly lacking in strong language and fiery outbursts against Communism. Instead, Gu Hua uses a startlingly humorous language to recite tragedy and terror--this style disarms you. Often the full force of what you read does not hit you until several pages after.
The story itself is well told. Gu Hua creates characters which are as real as any I've read, and yet which follow a well crafted plot without seeming to be dragged along by the author's leash. Particularly interesting is Gu Hua's style of tossing all his characters into the same boat. They all have their risings and fallings, even those characters who enter magnificently and require applause--in moments they become despicable people, and later return to your good graces. I have read few books which treated so many characters with such fairness. The villain, if there is one, does seem to be a person of more despicable light than is acceptable, but Gu Hua does not overdo it (well maybe once, but this is forgivable). I'm tempted to say that the story has more twists than the most popular movie in Hollywood, but the characters' changes of fortune are no more "twists" than are the everyday moments of elation and depression of any person.
Read this book if you want a light, but deep, commentary on the Cultural Revolution, specifically from a Chinese perspective.