The price paid for love is always the loss of reason, abandonment of the self, and thus the surrender of adult responsibility.Suskind's examination of the Orpheus and Eurydice myth is the most attractive part of this little essay. There's a lot that is twisted in here, but there is also a lot that isn't. Love and death go hand in hand in the human tradition. It's good, sometimes, to think about them together, as Suskind does. Just be careful.
Orpheus, we must remember, is an artist, and like all artists not without vanity, or let us say not without pride in his art. And like many artists, particularly the performing arts, he relies on an audience to watch him, listen to him, applaud him or at least react to him in some way, an audience from whose behaviour he can assess the effect of his singing.
These are bits and pieces of the mystery, not given that we should understand and thereby dissolve it, but that with each new speck its depth might be expanded and we humbled.
Thursday, November 20, 2008
On Love and Death
Patrick Suskind
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