Tuesday, July 14, 2009

The Discovery of Slowness

Sten Nadolny
Writing was as arduous as a sea voyage; it generated the energies and hopes it needed while also providing enough for the rest of one’s life. Whoever had to write a book could not be desperate forever. And despair over proper formulations could be conquered with sufficient industry.

He also sat in coffee houses. There he could get pen, ink, and paper whenever anything important occurred to him. Actually nothing occurred to John, but he ordered writing materials just the same, stared at the white sheet of paper, and thought, If I have something important in mind, I’ll just write it down. Well, perhaps it also worked the other way round: If I have something to write on, perhaps something important will come to me. And so it happened: suddenly the Idea appeared. It seemed foolhardy to John, but that spoke more for the Idea than against it, especially since the project was in some respects similar to a long journey. The Idea: writing! John conceived of writing a book to justify himself, a fat book in which he would seek to convert all skeptics and convince them of his system. And since he knew what a footloose fellow the human will was, he committed himself in writing then and there. He wrote on the white sheet: Narrative of a Journey to the Shores of the Polar Sea—not under 100,000 words. That rescued the plan at the last minute, for the head had already begun to whisper its objections. For example, John Franklin, if there is anything you cannot do, it’s writing books!

The compulsion to be constantly occupied with what is important to mankind necessarily affected more and more thoughts and actions. John sensed that someday, simply out of duty toward equality, he would have to discover that he was interchangeable with others. But from his time in the navy he knew full well what it was like when one’s unique self became insignificant. There remained only the escape into quickness. Someone was better if he could do the same thing faster. And this choice was not open to him.

That’s not the point, replied Eleanor. This sentence worried John, for since the time with Flora Reed he knew only too well: a quarrel in which one person told the other what it was all about left no room for a solution.

We ourselves are the chance. The listeners turned their heads: Franklin. Not that they had understood him. But if anybody considered carefully what he said, it was Franklin. So they still thought about it for a little while. He always had the courage to look stupid long enough to be smart—one could well copy that! In other respects, too, he had a tough skull. No bullet could get through it. God surely still had plans for Franklin. They helped him where they could.

Friendship consisted of plans and actions; everything else only falsified it.
I have been reading many books about Sir John Franklin lately. The Terror by Dan Simmons which was so pathetic I didn't read more than a quarter of it; Rifles by William Vollmann which I did finish, and also this one by Sten Nadonly. Of all of them, I think I like Nadonly's portrayal of Franklin the best. It is by far the most sympathetic. Simmons' painted Franklin as a selfish, deluded, simpering idiot. Vollmann made him a haggard old failure of a man, but Nadonly gave him something unique.
I don't imagine that Nadonly's fiction of Franklin is anything other than fiction, but as long as we are dealing with things I don't know, I'd like to now know Franklin in this way rather than any other.
The Discovery of Slowness is rich with the marvel of a child. Nadonly's Franklin moves through the world as a circle within a circle, somehow cut off from the reality by his slow speed. It gives you a sense of peering out of a submarine at the ocean world rather than being a fish with Franklin in the sea. It's a pleasant feeling.

Tigers of the Snow

Jonathan Neale
There is a word that people use a lot in Khumbudhukpaai. Dhukpaa means hardship, but also suffering. It means work that is unfair, and too hard. It also means the oppression of employers who hire people for that work, and who treat them unfairly, who make the poor suffer. Dhukpaa, dhukpaa, they say, and sigh, meaning: There it is, what can you do about it, you have to put up with it, but this is not how things should be.

Monday, July 6, 2009

Lincoln's Melancholy

Joshua Wolf Shenk
Never has the conditions for a president-elect been so severe, and never had one seemed, by his credentials, so poorly prepared. Lincoln’s fifteen predecessors had included war hero generals, vice presidents, secretaries of state, and veterans of Congress. His own resume listed, as he put it, “one term in the lower house of Congress.” He’d had barely a year of formal education; he had few connections in the capital and no executive experience. Before coming to Washington, he had been east of the Alleghenies just a handful of times and still bore the stamp of a man raised on the frontier.

Can we say that Lincoln was “mentally ill”? Without question, he meets the U.S. surgeon general’s definition of mental illness, since he experienced “alterations in thinking, mood, or behavior” that were associated with “distress and/or impaired functioning.” Yet Lincoln also meets the surgeon general’s criteria for mental health: “the successful performance of mental function, resulting in productive activities, fulfilling relationships with other people, and the ability to adapt to change and to cope with adversity.” By this standard, few historical figures led such a healthy life.

Lincoln, of course, is not the only nineteenth-century figure in whom intense suffering coexisted with great achievement. Modern researchers have identified one or more major mood disorders in John Quincy Adams, Charles Darwin, Emily Dickinson, Benjamin Disraeli, William James, William Tecumseh Sherman, Robert Schumann, Leo Tolstoy, Queen Victoria, and many others. We may accurately call these luminaries “mentally ill,” a label that has some use—as did our early diagnosis of Lincoln—insofar as it indicates the depth, severity, and quality of their trouble. However, if we get stuck on the label, we may miss the core fascination, which is how illness can coexist with marvelous well-being.

I shall be most happy indeed if I shall be an humble instrument in the hands of the Almighty, and of this, his almost chosen people, for perpetuating the object of that great struggle.

I make no apology, gentlemen, for my weakness.
I, like sloping rock, lie on tumble hill test, to fall or fly, or stay on just where I am. There is only one way to go and that way is down because there is only one way gravity pulls and that is towards itself. Can't be that stones should one day have flight? Gain the air and make off into the beautiful blue that is open up there?
Gentlemen, I make no apology for my weakness. I make no apology at all. That's why all these rocks are migrating through our airspace, Mr President. Like a sudden flight of insects or the airborne bombardment of a flock of angry birds the rocks are rising. What would you have me do? Grin so that they might knock out all my teeth? Well, no, but tears surely won't help. I beg to differ, Mr Secretary. What is the one substance that has dominion over stones, though it may be a slow dominion? Why, what else, Mr Secretary, but water. But saltwater, Mr President? Do you expect me to believe saltwater is better your sovereignty than gunpowder? Especially the saltwater of tears, Mr President? You are President, not Pastor. Oh, dear Mr Secretary. What do you know of the powers that be? You think gunpowder more able to split rocks then water, especially tear water. This is not a little foolish.
I could go on for some hours, Mr Secretary, but I am fatigued. Would you be so kind as to see these gentlemen out? Shoot them in the front of their heads if you would like, I only thought it would be less unpleasant for you to do it from behind. And so it goes.
They tell me I was killed in a theater. Unfortunately, I did not know how to act. I believe this inability directly led to my death. Had I acted, put on a bit of a show, prevaricated some you know, made a few nods to the grim opposition, they might not have shot me. Useless, useless he said when he shot me. And so my friend joined the long list of men who had to find nothing to find everything. It saddens my heart that this man should have struggled so hard to kill me and thus find meaning, when all he had to do was talk with me. While I am not such a brilliant orator as to persuade a man from murder, I am such a miserable man as to impart some bit of the futility rife in life to a man, thereby disarming him more thoroughly then any martial arts expert might have. There is a great defeating force in depression: Douglass Adams knew this: just look at Marvin. But that isn't particularly surprising: many wise souls have known this: Quoholeth, Lao Zi, Lewis Carrol, and Junious knew.
But then again, Junius always knew.
What can a dead man say? I was shot in the back of the head. If I hadn't been shot there, they would have shot me in the face, or perhaps failing that, torn me limb from limb. And there isn't really anything for it. My heart was doomed, and that's why it was so heavy. Or maybe my heart was heavy and that was why it was so doomed.

Monday, June 29, 2009

Rifles

William T Vollmann
He had the knowledge that manhood isn’t something you only earn once, even when you’ve been circumcised by the Elders or you’ve killed your first tiger, but something that must be achieved over and over, always by pursuing what you fear; if you stay still you will only come to fear more and more things. Being a man doesn’t mean being afraid of nothing; it means being warned by the fear, not mastered by it. There was nothing wrong with being afraid of what he was about to do. He had never done it. He was doing it. Later he could feel proud or ashamed of it.

It is strange when the light fails. Since it happens so gradually, you are deceived. The river is still blue – surely the same blue! The fractures in the rocks on the far side are as numerous as ever (not that you counted them), and the tundra is still there with all its little mosses and leaves. Everything is still there, and yet everything is harder to see. Logic proves that certain things which were visible a quarter-hour ago cannot be anymore. But which?

A polar bear killed a man and didn’t even get to eat him before it was shot.

Maybe life is a process of trading hope for memories. When the snow was deep in September maybe you did not remember very much. But you did remember, I am sure, how many flat rocks of a sulphurous color there were which had been shattered into slabs stacked neatly one against the next like the slices of a loaf of bread; you could pick up a book of these slabs and turn their livid-yellow pages in your hands, reading the words of lichen-dots and listening to the moaning of the wind; then, if you chose, you could skip the pages into some Arctic lake one by one, and watch them smash into two as they struck the water, sink, and lie shimmering among the greenish rocks, and the water rippled over them in the wind, as if trying to turn them, but they would never turn or be together again. – All books are like this; they stand shoulder to shoulder in the library stacks; perhaps they are ‘popular’ at first, perhaps not, but eventually they stand anonymous, unread, forgotten; and that is how it should be, for that is how it is with lives.

These appearances, however were but gimmicks of the present, whose artifice it is to make everything seem new.
When a Native American first fired a rifle, he agreed to the unstated contract that doomed all American tribes and guaranteed European success on the North American continent. This is because technologies, like species, can have catastrophic consequences when they migrate. You have heard of invasive species--the rifle was an invasive technology.
A technology develops in a specific context and when the higher levels of that technology migrate to another context there is always the risk that the balance will be so disturbed that the context will be driven to extinction before it can reattain equilibrium--and this is usually through ignorance.
When European traders brought firearms to North America, the natives were presented with a vastly more effective tool that was also much easier to use. But what natives did not understand was that firearms rely on a massive infrastructure which is in turn based on an even more sweeping set of technologies and values. By using a rifle, a native endorsed and became a part of such things as mining, manufacturing, industrialism, corporations, markets, capitalism, western philosophy, and even Christianity. Without passing judgment on any of these things, it is safe to say that their transplantation into a society might be dangerous--and is undoubtedly worrying when they are transplanted in secret.
In Western society, where the aforementioned technologies and values were evolved, the society was adapted to their presence and at balance with them. But when they were brought to North America, the same protective shielding of slowness and time was not available to act as a buffer to their integration into native societies. The technologies were available and ready-to-use, so who could wait?
But with their use came a reliance on Europeans because native society lacked many of the technologies off which firearms are based. They had to blindly agree to these without the ability either to develop them for themselves or observe and consider how they would change their society.
After fifty years of rifle use, what was left of the original hunting technologies and cultures of natives? Not enough to kick the addiction to European supply of ammunition and firearms and technology. It was in this way that Europeans conquered North America.

Currently, we have the moral enlightenment to shake our heads and wag our fingers at this behavior. We think we would have had more respect. But at the same moment we advise developing countries to accept our boon of modern medicine (just as an example, there are millions of advanced technologies that we are giving as impossible debts). Many of these countries cannot help but take this fruit we offer--it's miraculous after all--yet they do not understand that by taking their are agreeing to all the technologies and values that are the context for the development of modern medicine. And in many cases developing countries are also agreeing to a reliance on developed countries that sometimes looks more like subjugation than philanthropy and aid. And so when they've forgotten how they used to do medicine, when their own technologies have been choked into extinction by the invasive species of a far more pernicious species, what will they do if the new species suddenly dies off? What will they do if they decide that they don't like these new flowers? They were hooked but they didn't even know it.

And on an even more startling scale (well, maybe not, but it will be to you, because if you're reading this, you'll probably care more about what I'm about to say than what I just said), all technology is the same. We never really understand what we are getting into when we adopt a new technology, especially in our culture where new is a very good word and old is often a bad one. We've been raised to believe that if it's new it's worth our attention and maybe worth a shot. But who knows how addicting the technologies we develop are? What if one shot is enough to hook us?
So now we've got the Internet, cell phones, television, plastic, nuclear bombs and we don't really understand all we've agreed to in our contracts with these technologies, nor do we even know if there is a way to go back. We assume that if a technology catches on and becomes widely in use it's good. But by that definition, we are forever doomed to what is new and can never, never go back. If five years from now we find out that the Internet is actually more of a chain than freedom, we won't have anything for it but to bind our wrists a little tighter.

Sunday, June 28, 2009

Victoria

Knut Hamsun
No, I’m smiling, the husband says. It’s my way of smiling. I want this grimace to be uniquely my own.

Thank you, thank you, Johannes, dear; it’s so sweet of you not to be furious with me, she said, wiping away her tears. But you mustn’t think I don’t love you too. By God, I’ll come and see you much more often than before and do everything you desire. It’s just that I love him more. I didn’t want it that way. It’s not your fault.

Love is God’s first word, the first thought that sailed through his brain. When he said, “Let there be light!” there was love. And everything that he made was very good, and no part thereof did he wish undone. And love became the world’s beginning and the world’s ruler; but all its ways are full of flowers and blood, flowers and blood.
Love is not just. Love does not deal in equality, nor does it acknowledge rights. Like the unreasoned whims of fate that make one man tall and smart while another is left deformed and brainless without even material comforts as compensation, love gives to the undeserving and takes from the worthy.
Love is the truth in "To those who have much, more will be given, and to those who have little, even what they have will be taken from them." Love gives and takes in scandalous disproportion. Like Joseph Merrick, love is a misshapen Elephant Man. Like Proteus, it shapeshifts while we try to pin it down (which never we can) but we will try anyway.
You disagree? Love isn't out of its mind? True love anyway. But what of all things is true love if it isn't a madman on a dream? Who would say that scaling Cliffs of Insanity, enduring the Pit of Despair, and fighting Rodents of Unusual Size is anything but a wildly inappropriate response to life?
Love is inappropriate.
If you seek balance, do not venture near love or any of those who move in that circus crowd: mercy, selflessness, humility, kindness, compassion, sacrifice, forgiveness, and grace--these are not well-balanced individuals. They are a set of lunatics prancing about in their underpants; they are flower bedecked babies fully grown, who have scraped their knees and elbows. Their giddiness makes us feel embarrassed for them, but that feeling's tricky since in its loftiness it has pity which might be disdain and if we look at it our embarrassment on their behalf looks very much like jealousy on their account. After all, they do seem to be enjoying themselves, for all their scrapes and bruises. And love is their tyrant leader, the great extortionist.
Do you see, love just isn't just. You'll pardon that literary atrocity because love works in atrocities and outrages and in disturbing and in discomfort.
It is Victoria who is writing this, and God is reading over my shoulder.

Wednesday, June 24, 2009

Dark Shadows Falling

Joe Simpson
One distressing incident in this storm illustrates the selfishness of some of the trekkers. Two Western clients had abandoned their Sherpa when he was too weak to move form his tent to the helicopter. The clients broke trail out to the aircraft, which had been unable to land nearby, and then took off, leaving the poor man to die. When asked in Namche why they had abandoned the Sherpa, the same trekkers replied that they were anxious to reach the airport at Lukla so that they would not miss their international flight connections.
If you would like to lose all respect for people who don't belong in the wilderness, read this book (just be careful, you might be one of them).

Tuesday, June 23, 2009

The Ice-Shirt

William T Vollmann
Do we carry our landscapes with us locked in our ice-hearts, and can we fit them over what was there just as we can clothe ourselves forever in the stiff and crackling cloaks that lie in the churchyard permafrost at Herjolfsness?

The lambs crunch grass very watchfully, but the old ewes and rams do not look up at your approach because nobody has ever hurt them and they do not understand the meaning of the sheep-skulls that lie in the grass they graze on. – The birds, on the other hand, await the worst with hysterical foreknowledge, so that if you venture into their nesting-fields, where the grass is green and then white, as if frosted, thousands of them begin to swoop and scream and flap until their gull-cousins on the rocks offshore are infected with alarm, and sob like babies. (Would you, reader, rather be a sheep or a bird? I say that the sweet sheep have no cares, and for that reason their stupidity is to be prized).

In those days you had to be careful what you thought, because your thoughts would come true. Nowadays you have to be careful what you think because if you think it, it will never happen.

Oh, that game of Changing! The players did not really want to be anything; they only wanted to be what they were not. Nobody saw that change came of its own, unfolding as was ordained, so that one would be as ungracious to rush it as to stay it.

Was a woman something she was supposed to be? But she had not started out being one, and she did not want to be one. She did not necessarily want not to be one, but she wanted to be several things. A woman was not all she was.

So, too, Freydis’s selfish cruelties were not originally hers by nature, but came about simply because her stepmother Thjodhild would not own her in her heart – or so it is incumbent upon a historian to believe in this age of compassionate first causes, for how could we hope, if people could be born wicked?

It seems like there’s nothing like a close brush to bring you down to earth, and make your priorities in your mind very clear (for a good while, anyway). I started considering what the fuck I was doing here and realized that while I think it was a step in the right direction, doing that kind of thing, my priorities were all fucked up, that I just had to quit doing things so much for show, just start doing things just ‘cause I wanted to. Real honest things that I wanted to do. I was so ashamed of myself. After that I had kind of a miserable night. Thought entirely too much. And in the morning I packed up and headed out.

In those days there was Power everywhere. You did not have to be wise to find it. Power lived in pretty feathers; Power was in stars and owls’ beaks; Power was in the patterns that the women painted on everyone’s shirts so that they could find the animals they hunted and kill them; they could bring back meat to eat and clothe everyone in their skins and they could all dream of the Star People who dwelled on the black roof above the trees and sparkled at their images in brooks and lakes; they dreamed also of the Plant People who came on green legs bringing corn-gifts and tobacco-gifts; and all the gifts had Power; but the most Powerful color was red, and the women made paint from red earth and birds’ eggs and painted special things on everyone’s shirts, so that red cloth of the Jenuaq was highly prized.
The first part of Seven Dreams: A Book of North American Landscapes, Vollmann begins an impressive project--to detail intimately the various first interactions between North Americans and Europeans. Vollmann's choice to embrace the story-telling histories of various places and peoples instead of generating the traditional history or historical novel, provides a startling conception of our history. Seven Dreams (or what I've read of it so far) opens the mind to a host of new thoughts on history.
Often times histories attempt a detailed look at where we were then but fail to acknowledge where we are now, and comparatively many fictional works attempt to reveal what then was through a reality of now. But Vollman, by a combination of interviews, histories, myths, fiction, and personal experiences, finds a way to tell the story of then and now. What makes him so succesful is his basic theory that he must walk in the footsteps of the histories he is going to tell. The Ice-Shirt circles around the Viking discovery of North America; Vollmann writes their story while he is walking along the shores of Greenland and moving about from island to island in Northern Canada.
There are so many understated but interesting approaches to history in Vollmann's Seven Dreams that one has a strange sense of urgency reading the books. Like any truly novel idea, you read it with some strong sense of disbelief--like watching magic trick, or better, like seeing the impossible made reality before your very eyes. It's very exciting.

The Book List

Stolen Words--Thomas Mallon
The Enemies of Promise--Cryil Connolly
Contrarian Investment Strategy--David Dreman
Passage to Juneau--Raban
Maps to Anywhere--Bernard Cooper
Generation X--Douglas Coupland
Cambodia: A Book for People Who Find Television to Slow--Brian Fawcett
Stop-Time--Frank Conroy
A Fan's Notes--Frederick Exley
The Mezzanine, Pigeon Feathers--Nicholson Baker
The Book of Disquiet--Pessoa
A Supposedly Fun Thing I'll Never Do Again--David Foster Wallace
Shuffle--Leonard Michaels
Smoking Diaries--Simon Gray
Great Topics of the World--Albert Goldbarth
A Mother in History--Jean Stafford
The Motion of Light in Water--Samuel Delaney
Black Lamb and Grey Falcon--Rebecca West
One Person and Another--Richard Stern
The Shadow, Venetian Suite--Sophie Calle
10:01--Lance Olson
Speedboat--Renata Adler
Ghosts in the Mirror--Robbe Grillet
The Unquiet Grave--Cyril Connolly
The Book of Embraces--Eduardo Galeano
A History of Bombing--Sven Lindqvist
Studies in Classic American Literature--D H Lawrence
The Queen's Throat--Wayne Koestenbaum
U & I--Nicholson Baker
Out of Sheer Rage--Geoff Dyer
Eros the Bittersweet--Anne Carson
S/Z--Roland Barthes
Gogol--V Nabokov
Proust--S Beckett
Against Interpretation--Susan Sontag
Essays of Elia--Charles Lamb
Within the Context of No Context--W S Trow
Swimming to Cambodia--Spalding Gray
Without You I'm Nothing--Sandra Bernhard
No Cure for Cancer--Denis Leary
Only the Truth is Funny--Rick Reynolds
The Lover--Duras
Boomerang--Barry Hannah
Correction--Thomas Bernhard
Immortality--Milan Kundera
Elizabeth Costello--J M Coetzee
Adolphe--Benjamin Constant
Stone Upon Stone--Wieslaw Mysliwski
I Hotel--Karen Tei Yamashita
Studies in the Art of Rat-Catching--Henry C Barkley
Little Pedlington and the Pedlingtons--John Poole
What is All This?--Stephen Dixon
Jacques the Fatalist and His Master--Denis Diderot
Aura, Terra Nostra--Carlos Fuentes
The Babysitter--Robert Coover
The History of English Prose Rhythm--George Saintsbury
The Autumn of the Patriarch--Gabriel Garcia Marquez
The Obscene Bird of Night--Jose Donoso
Conversation in the Cathedral, The Green House--Mario Vargas Llosa
Three Trapped Tigers--Cabrera Infante
Paradiso--Lezama Lima
Makbara--Juan Goytisolo
Short Letter Long Farewell--Peter Handke
Wittgenstein's Nephew, Extinction--Thomas Bernhard
The Awful Mess on Via Merulana--Carlo Emilio Gadda
Close to Knives--D Wojnorowicz
Les Nuits de Paris--Restif de la Bretonne
Paris Peasants--Louis Aragon
Street Haunting--Virginia Wolf
Chromos--Felipe Alfay
The Prince of Darkness--J F Powers
From Cubism to Suprematism--Kazimir Malevich
Beggar's Opera, Trivia--John Gay
The Uncommercial Traveler--Charles
Arcades Project--Walter Benjamin
Mohicans du Paris--Alexander Dumas
Nadja--Andre Breton
The Cult of the Serpent--Balaji Mundkur
The Biophilia Hypothesis--Wilson and Kellert
Biophilia--A O Wilson
Discourse on Method--Descartes
Six Walks in Fictional Woods--Umberto Eco
Steps on Life's Way--Soren Kierkegaard
A Tomb for Boris Davidovich--Danilo Kis
Thousand Mile Walk to the Gulf--John Muir
Tramps Across the Continent--Charles Lumis
Tracks--Robyn Davidson
Roads to Sato--Alan Booth
The Way of the Pilgrim
Diary of Climbing Mt Sinai--Egeria
Conquistadors of the Useless--Lionel Terray
The Mountain of My Fear--David Roberts
Shank's Pony--Morris Marples
Walking Up and Down in the World--Smoke Blanchard
The Narrow Road to the Deep North--Ba Sho
Mountains and Rivers without End--Gary Snyder
I Heard You Paint Houses--Charles Brandt
Death and Life in Great American Cities--Jane Jacobs
The Pathless Way--Michael Cohen
I Travel By Train--Rollo Walter Brown
The Job Hunter--Allen R Dodd Jr
The Poetry Lesson--Andrei Codrescu
A Need for Roots, Gravity and Grace--Simone Weil
Inequality Reexamined--Amartya Sen
World as I Found It--Bruce Duffy
Reality Hunger--Daniel Shields
The Gentle Art of Tramping--Stephen Graham
A Naked Singularity--Sergio De La Pava
The Art of Memory--Francis Yates
In Search of Lost Time--Marcel Proust
Touching the Rock--John M Tull
In the Palaces of Memory--George Johnson
Pentimento--Lillian Hellman
House of Leaves--Mark Danielewski
As I Remember Him--Hans Zinsser
The Man with a Shattered World, The Mind of the Mnemonist--Luria
Division Street: America--Studs Terkel
The Wretched of the Earth--Fanon
Reflections on Violence--Sorel
The Warriors--J Glenn Gray
Jakob von Gunten--Robert Walser
I Am a Cat--Natsume Soseki
Confessions of Zeno, As a Man Grows Older--Suevo
Too Loud a Solitude--Hrabal
Journey Around My Room--Xavier de Maistre
Max Havelaar--Multatuli
The Very Strange and Exact Truth--Ben Piazza
The Wonder-Worker--Dan Jacobson
The Theory of the Leisure Class--Thorstein Veblen
Regarding the Pain of Others--Susan Sontag
Teachings of Don Juan--Carlos Castenada
Meetings with Remarkable Men--G I Gurdseiv
New Model of the Universe--P D Ospensky
Crazy about Bellingham--Dan Carrigan
Disaffiliated Man--Bogue
The Hobo: Sociology of the Homeless Man--Nels Anderson
Dancing in the Dark: A Cultural History of the Great Depression, Leopards in the Temple--Morris Dickstein
The Weather Fifteen Years Ago--Wolf Haas
Other Electricities--Ander Monson
The Aesthetic of Resistance--Peter Weiss
At the Mind's Limit--Jean Amery
Retribution--Gert Ledig
The Law of War--Jorg Friedrich
Nekyia--Hans Erich Nossack
The City Beyond the River--Hermann Kasack
The Air Raid on Halberstadt--Alexander Kluge
The Body of Pain--Elaine Scarry
The Angel Was Silent--Heinrich Boll
Images in Spite of All--Georges Didi-Huberman
The Civil Contract of Photography--Ariella Azoulay
Language Made Plain--Anthony Burgess
The System of Vienna--Gert Jonke
Signa--Ouida
Martin Eden, Burning Daylight, The Star Rover, John Barleycorn--Jack London
You Have Seen Their Faces--Erskine Caldwell
Writing on the Wall Trilogy--Miklos Banffy
A Holy Tradition of Working--Eric Gill
The Personalist Manifesto--Emmanuel Mounier
The Autobiography of a Catholic Anarchist--Ammon Hennacy
Nazareth or Social Chaos--Fr Vincent McNabb
Over the Edge--Martha Burt
New Homeless and Old--Charles Hoch and Robert Slayton
Tell Them Who I Am--Elliot Leibow
Down and Out in America--Peter Rossi
The Mole People--Jennifer Toth
Down on Their Luck--David Snow and Leon Anderson
The Excluded Americans--William Tucker
Rude Awakenings--Richard White
A Mammal's Notebook--Erik Satie
Tramping with Tramps--Josiah Flynt
No Me Tangere--Rizal
History of the French Revolution--Carlyle
The Children of Aataentsic--Trigger
The Naked and the Dead--Norman Mailer
Catechism of the Revolution--Sergey Nachev
My Little War--Louis Paul Boon
Melancholy and Mystery of a Street--Giorgio de Chirico
Landscape with Dog and Other Stories--Ersi Sotiropoulos
The Armies--Evelio Rosero
The Melancholy of Resistance--Laszlo Krasznahorkai
Cassell's Guide to Punctuation--Loreto Todd
The Years with Ross--James Thurber
Pause & Effect--Malcome Ross
"Poetry & Grammar"--Gertrude Stein
The Medusa & the Snail--Lewis Thomas
"The Philosophy of Punctuation"--Paul Robinson
The Size of Thoughts--Nicholson Baker
You Have a Point There--Eric Partridge
Shadowplay--Norman Lock
Roland Barthes by Roland Barthes--Roland Barthes
Boyhood, Youth, Summertime--J M Coetzee
Brecht at Night--Mati unt
The Lacuna--Barbara Kingsolver
Nog--Rudolph Wurlitzer
The Cave Man--Xiaoda Xiao
Erasure--Percival Everett
The Tanners--Robert Walser
The Sri Lankan Loxodrom--Will Alexander
The MacGuffin--Stanley Elkin
The Ask--Sam Lipsyte
Jernigan--David Gates
The Mighty Angel--Jerzy Pilch
A Fan's Notes--Frederick Exley
Nowhere Man--Aleksandar Hemon
My Name is Red--Orhan Pamuk
Little Fingers--Filip Florian
All Souls, A Heart So White--Javier Marias
Devil to Pay in the Backlands--Joao Guimaraes Rosa
The Passion According to G.H.--Clarice Lispector
Angel Levine--Bernard Malamud
Night--Elie Wiesel
If This is a Man--Primo Levi
A Masque of Reason--Robert Frost
God's Favorite--Neil Simon
Job--Joseph Roth
Job: A Comedy of Justice--Robert Heinlein
On Job--Gutierrez
Blameless in Abaddon--James Morrow
The Frog Prince--Mitchell
The City of Dreadful Night--James Thomson
Still Life, The Things We Are--John Middleton Murry
In Job's Balances--Lev Shestov
The Guide for the Perplexed--Maimonides
The Harvest Gypsies--John Steinbeck
Das Kapital--Karl Marx
Down and Out in Paris and London--George Orwell
Manchild in the Promised Land--Claude Brown
Kamby Bolongo Mean River--Robert Lopez
Senselessness--Horacio Castellanos Moya
The Seventh Gate--Peter Greave
Hermes in Paris--Peter Vansittart
The Clearing--Tim Gautreaux
Redemption Falls--Joseph O'Connor
A Weakness for Almost Everything--Aldo Buzzi
A Philosophical Investigation--Philip Kerr
The Criminalist--Eugene Izzi
Bullet Heart--Michael Doane
Memoirs of the Forties, Of Love and Hunger--Julian Maclaren-Ross
The Garden at #19--Edgar Jepson
Adam Penfeather, Buccaneer--Jeffery Farnol
Flower Phantoms--Ronald Fraser
The Odyssey of Euphemia Tracy--Richmal Crompton
The Last Days of Pompeii--Edward Bulwer-Lytton
Descent into Hell--Charles Williams
The House Under the Water--Francis Brett Young
The Enigma of Kaspar Hauser--Jakob Wassermann
Vagabond Adventures--Ralph Keeler
A Very Short History of the World--Geoffrey Blainey
Little Lives--John Howland Spyker
The Family Carnovsky--I. J. Singer
The Late Grate Creature--Brock Brower
Gentleman Overboard--Herbert Lewis
Life in the Crystal Palace--Alan Harrington
Delilah--Marcus Goodrich
Augustus Carp--Henry Howorth Bashford
Jew Suss--Lion Feuchtwanger
The Power of the Dog--Don Winslow
The Power of the Dog--Rudyard Kipling
The Power of the Dog--Thomas Savage
Across Paris--Marcel Ayme
Armed with Madness--Mary Butts
Lud-in-the-Mist--Hope Mirrlees
The Asiatics--Frederic Prokosch
The Curlew's Cry--Mildred Walker
The Stone Brook Quartet--Alan Garner
The Dead of the House--Hannah Green
Peace--Gene Wolfe
The Fortunate Fall--Raphael Carter
Sweet Dreams--Michael Frayn
All the Little Live Things--Wallace Stegner
The Night Country--Loren Eiseley
Anglo-Saxon Attitudes--Angus Wilson
The Horrors of Love--Jean Dutourd
Happy Moscow--Andrey Platonov
Two Kinds of Time--Graham Peck
Gentleman Johnny Burgoyne--Francis Huddleston
Revolutionary Road--Richard Yates
Mine Enemy Grows Older--Alexander King
Wrinkles--Charles Simmons
Therese Desqueyroux--Drancois Mauriac
Into the Beautiful North--Urrea
Globalization and Its Discontents--Stiglitz
Money--Emile Zola
French Ecclesial History under the Ancien Regime--John McManners
The Last of the Angels--Fadhil al-Azzawi
Love, Anger, Madness--Marie Vieux-Chauvet
Lord Berners: The Last Eccentric--Mark Amory
Doc Savage: His Apocalyptic Life--Philip Jose Farmer
Soul of Wood, Landscape in Concrete--Jakov Lind
The Beijing Possibilities--Jonathan Tel
The Fourth Dimension--C Howard Hinton
Chronos, Locos--Felipe Alfau
Kangaroo--Yuz Aleshkovsky
Grabinoulor--Pierre Albert Bitot
The Good Soldier Svejk--Jaroslav Hasek
The Garden Party--Katherine Mansfield
Petersburg--Andrei Bely
Frozen in Time--John Geiger
World's End--T C Boyle
Women and Men--Joseph McElroy
Zeroville--Steve Erikson
The Beetle Leg--John Hawkes
What Does Mrs Freeman Want?--Petros Abatzoglou
Giant Killer--Elmer Davis
Everything Matters!--Ron Currie Jr
The Arctic and the Rockies as Seen by a Botanist--Chung
People of the Deer--Farley Mowat
Sun and Steel--Yukio Mishima
Wonderland--Joyce Carol Oates
Mr. Pye--Mervyn Peake
Nonsense--Alan Watts
QED: The Strange Theory of Light and Matter--Feynman
Through a Glass, Darkly--Jostein Gaarder
Notable American Women--Ben Marcus
Altmann's Tongue--Brian Evenson
The Old Man and Me--Elaine Dundy
Deadly Winter--Martyn Beardsley
Ice Blink--Scoot Cookman
Arctic Grail--Pierce Berton
Fatal Passage--Ken McGoogan
A House for Mr. Biswas--V S Naipaul
Alone--Richard Byrd
The Ants--E O Wilson
The Last Great American Hobo--Maharige and Williamson
Brothers, To Live--Yu Hua
English--Wang Gang
Escape from China--Zhang Boli
Thirty Years in a Red House--Zhu Xiao Di
Confessions--Kang Zhengguo
Vermillion Gates--Aiping Mu
The Foundation Pit--Andrey Platonov
The Great Railway Bazaar--Paul Theroux
K2: Triumph and Tragedy--Jim Curran
The Endless Knot--Kurt Diemberger
No Shortcuts to the Top--Ed Viesturs
The Hungry Ocean--Linda Greenlaw
Isaac's Storm--Erik Larson
Tinkers--Paul Harding
The Spare Room--Helen Garner
The Nest--Don Beachy-Quick
Death Raft--Alex McKee
Machine--Adolphsen
Customer Service--Benoit Duteurtre
I'd Like--Amanda Michalopoulou
Children of Heroes--Lyonel Trouillot
Life: A User's Manual--Georges Perec
The Book of Chameleons--Jose Eduardo Agualusa
Five Spice Street--Can Xue
Girl Factory--Jim Krusoe
Drowned World, The Drought--J.G. Ballard
Wolf Hall--Hilary Mantel
Comicomics--Italo Calvino
All Aunt Hagar's Children--Edward P Jones
Goldberg: Variations--Gabriel Josipovici
Ghosts--Cesar Aira
Everything and More--David Foster Wallace
The Power of Flies--Lydie Salvayre
Saga/Circus--Lyn Hejinian
Sons and Other Flammable Objects--Porchista Khakpour
A Field Guide to Getting Lost--Rebecca Solnit
Devil Talk--Daniel Olivas
The Garden of Last Days--Andre Dubus III
Hold Tight--Harlan Coben
My Revolutions--Hari Kunzru
Serena--Ron Rash
Sharp Teeth--Toby Barlow
Unaccustomed Earth--Jhumpa Lahiri
The Story of Edgar Sawtelle--David Wroblewski
The Astonishing Life of Octavian Nothing--M T Anderson
The Little Giant of Aberdeen County--Tiffany Baker
The Housekeeper and the Professor--Yoko Ogawa
Twenty Love Poems and a Song of Despair--Pablo Neruda
Thousand Cranes--Yasanuri Kawabata
Fear and Trembling--Amelie Nothomb
X-Kai- Vol. 2--by Asami Tohjo
Fugitive Pieces--Ann Michaels
Life As We Knew It--Susan Beth Pfeffer
Nobody's Fool--Richard Russo
Posession, Babel Tower--A S Byatt
Reader's Block--David Markson
To the Wedding--John Berger
Two Girls, Fat and Thin--Mary Gaitskill
The Royal Family--William T Vollmann
Disgrace--J M Coetzee
The God of Small Things--Arundhati Roy
Underworld--Don DeLillo
Atonement--Ian McEwan
The Blind Assassin--Margaret Atwood
American Pastoral--Philip Roth
Austerlitz--W S Sebald
The Gold Bug Variations--Richard Powers
The Intuitionist--Colson Whitehead
Mating--Norman Rush
The Puttermesser Papers--Cynthia Ozick
The Tunnel--William Glass
White Teeth--Zadie Smith
Art and Lies--Jeanette Winterson
Burning Your Boats--Angela Carter
Caucasia--Danzy Senna
CivilWarLand in Bad Decline--George Saunders
The Corrections--Jonathan Franzen
The Elementary Particles--Michel Houellebecq
A Frolic of His Own--William Gaddis
The Hours--Michael Cunningham
Kitchen--Banana Yoshimoto
The People of Paper--Salvador Plascencia
Rex--Jose Manuel Prieto
boring boring boring boring boring boring boring--Zach Plague
Boxwood--Camilo Jose Cela
All one horse--Breyten Bretyenbach
The Easy Chain, The Lost Scrapbook--Even Dara
T Zero--Italo Calvino
Pierrot Mon Ami--Raymond Queneau
The Last Novel--David Markson
Partial List of People to Bleach--Gary Lutz
Kissed By--Alexandra Chasin
The Way Through the Doors--Jesse Bell
The Winner of Sorrow--Brian Lynch
The Great Weaver from Kashmir--Halldor Laxness
The Cutie, The Hunter--Donald Westlake
The Golden Ass--Apuleius
Invisible Cities--Italo Calvino
Sister Mary Ignatius Explains It All for You--Chris Durang
Frogs--Aristophanes
The Immoralist--Andre Gide
The Fair Haven--Samuel Butler
Sartor Resartus--Thomas Carlyle
Ye God!--Tom Holt
Prometheus Unbound--Percy Bysshe Shelley
Orpheus Descending--Tennessee Williams
Orpheus Rising--Colin Bateman
The King Must Die--Mary Renault
Orpheus Lost--Janette Turner Hospital
Poetry and Fear--Grace Andreacchi
What A Carve-Up!--Jonathan Coe
The Sea--John Banville
Alphabetical Africa--Walter Abish
Hopscotch--Julio Cortazar
Breakfast of Champions--Kurt Vonnegut
Old Woman--Daniil Kharms
The Plague--Albert Camus
The American Dream--Edward Albee
London Fields--Martin Amis
The Swimming-Pool Library--Alan Hollinghurst
The Siege of Krishnapur--J. G. Farrell
The Leopard--Giuseppe Tomasi di Lampedusa
The Last of the Wine--Mary Renault
Disturbance--Jamie O'Neill
The Universe Next Door--Robert Anton Wilson
The Ginger Man--James Patrick Donleavy
No Laughing Matter, Poems--Anthony Cronin
Three Glimpses of Life--Patrick Kavanagh
Borstal Bay, The Quare Fellow--Brendan Behan
Athnuachan, Barbed Wire--Martin OCadhain
Return of the Hero--Darrell Figgis
Journey to the End of the Night--Louis Ferdinand Celine
Still Life with Woodpeckers--Tom Robbins
Trout Fishing in America, Abortion--Richard Brautigan
Post Office, Ham on Rye--Charles Bukowski
The Book of Fuck--Ben Myers
Vagabond Song--Bliss Carman
J R--William Gaddis
Ask the Dust--Jon Fante
Sailor Song, Sometimes a Great Notion--Ken Kesey
Theology and Social Theory--Milbank
After Virtue--Alasdair MacIntyre
Principles For a Catholic Morality--Timothy O'Connell
The Laws of Ecclesiastical Polity--Richard Hooker
Disseration on Virtue--Joseph Butler
Christianizing the Social Order--Walter Rauschenbusch
The Methods of Ethics--Henry Sidgwick
Ethics and Language--C L Stevenson
The Language of Morals--R M Hare
Proportionalism--Bernard Hoose
Anarchy, State and Utopia--Robert Norzick
De Amicitia--Cicero
Chronicles of Barsetshire--Anthony Trollope
Natural Law and Natural Rights--John Finnis
Way of the Lord Jesus--Germain Grisez
Pictures from Brueghel--William Carlos Williams
Smilia's Sense of Snow--Peter Hoeg
The Book of Sand and Fog--Andre Dubus III
The Book of Salt--Monique Truong
The Mambo Kings Play Songs of Love--Oscar Hijuelos
Sula--Toni Morrison
Native Speaker--Chang Rae-Lee
Obasan--Joy Kogawa
The Known World--Edward P Jones
One Man Army--Moacyr Scliar
Great Work of Time--John Crowley
Regeneration--Pat Barker
True History of the Kelly Gang--Peter Carey
Famous Last Words--Timothy Findley
We--Yevgeny Zamyatin
"Politics and the Use of Language"--Orwell
The Plot Against America--Philip Roth
A Theory of Everything--Ken Wilbur
The Dancing Wu Li Masters--Gary Zukav
The Tao of Phsyics--Fritjof Capra
Fear of Flying--Erica Jong
The Beetle Leg--John Hawkes
Devotions Upon Emergent Occasions--John Donne
Foundations of the Christian Faith--Karl Rahner
The Phenomenon of Man--Teilhard de Chardin
Spring in Fialta--Nabokov
What I Believe--Tolstoy
A Distant Episode--Paul Bowles
In Dreams Begin Responsibilities--Delmore Schwartz
Hopkins the Jesuit--Alfred Thomas
A Tremor of Bliss--Paul Elie
On Moral Fiction--John Gardner
The Call of Stories--Robert Coles
French Lieutenant's Woman--John Fowles
Eleven Addresses to the Lord--John Berryman
Religion and Literature--John Updike
Confessions of a Reluctant Catholic--Alice McDermott
An American Requiem--James Carroll
The Art of Fiction--John Gardner
Story of a Soul--St Therese de Lisieux
Motorcycle Diaries--Che Guevara
On the Road--Jack Kerouac
Notes and Counter Notes--Eugene Ionesco
The Mysteries of Paris--Eugene Sue
Bless Me, Ultima--Rudolfo Anaya
Daniel Deronda--George Eliot
Jiddu Krishnamurti
Dispatches--Michael Herr
Godel's Theorem: Guide to is Use and Abuse-- Torkel Franzen
A Short Account of the History of Mathematics--W W Ball
Dance to the Music of Time--Anthony Powell
The Sound and the Fury--Faulkner
Arcadia--Tom Stoppard
Doctor Faustus--Christopher Marlowe
Mephisto--Klaus Mann
Fair-Faced, The Home and the World--Rabindranath Tagore
From A Logical Point of View--William Van Orman Quine
The White Book--Jean Cocteau
Logical Dilemmas--John Dawson
The Monadology--Gottfried Leibniz
Barbara or Piety--Franz Weifel
The Man Without Qualities--Robert Musil
Collected Works--Kurt Godel
The Emperor's New Mind--Roger Penrose
From Mathematics to Philosophy--Hao Wang
Godel's Theorem in Focus--Stuart Shanker
On Godel--Jaakko Hintikka
A Piece of my Heart, The Sportswriter--Richard Ford
The Moviegoer--Walker Percy
Light Years--James Salter
G.--John Berger
Antarctica--Claire Keegan
How to Breathe Underwater--Julie Orringer
Sam the Cat and Other Stories--Matthew Klam
The Word--Kaj Munk
Jesus: Revolutionary Biography--John D. Crossan
Presence of the Kingdom, Ethics of Freedom--Jacques Ellul
A Time to Break the Silence--Martin Luther King Jr.
The Politics of Jesus--John Howard Yoder
Rich Christians in an Age of Hunger--Ronald Sider
Schools for Conversion--Ed. Rutba House
The Early Christians in their Own Words--Arnold Eberhard
Philosophumena--Hippolytus
The Revolt of the Angels--Anotole France
Sociology of Early Palestinian Christianity--Gerd Theissen
The Long Loneliness--Dorothy Day
The World as I Remember It--Rich Mullins
Works of Love, Christian Discourses--Kierkegaard
The House of El--Howard Norman
Four Quartets--T S Eliot
The Perennial Philosophy--Aldous Huxley
The Diary of a Country Priest--Georges Bernanos
The Idiot--Fyodor Dostoyevsky
The Fall of the House of Usher--Edgar Allen Poe
Computing Machinery and Intelligence--Alan Turing
Apologia--Newman
Vie de Jesus--Renan
The Bach Reader--David and Mendel
Godel's Proof--James Newman
A Profile of Mathematical Logic--Howard Delong
Poems--John Donne
The Epistle to the Romans--Karl Barth
The Essence of Christianity--Ludwig Feuerbach
Zen and the Art of Archery--Eugen Herrigel
The Golden Notebook--Doris Lessing
A Worn Path--Eudora Welty
A Clean Well Lighted Place--Ernest Hemingway
The Cantos--Ezra Pound
Moses and Monotheism--Sigmund Freud
The Stripping of the Altar--Roman Duffey
City of God--St Augustine
The Complaint of Nature--Alain de Lille
The Devil is an Ass--Ben Jonson
De Miseria--Pope Innocent
Confessio Amantis--John Gower
The Heroides--Ovid
Thebiad--Stacius
Number9Dream--David Mitchell
The Public Burning--Robert Coover
Willie Masters' Lonesome Wife--William H. Glass
Pale Fire--Vladimir Nabokov
The Sot-Weed Factor--John Barth
Gemeinschaft--F Toennies
1754 Essays: Moral, Political, Religious--David Hume
A Secular Age--Charles Taylor
Capitalism and Freedom--Milton Freidman
Middlemarch--George Elliot
Wilhelm Meister's Apprenticeship--Goethe
Emil--J J Rousseau
The World as Will and Representation--Schopenhauer
Notes from the Underground--Fyodor Dostoevsky
Tom Jones--Henry Fielding
No Country for Old Men--Cormac McCarthy
Abelard's Ethics--Peter Abelard
On Contempt for the World--Bernard of Morlaix
On the Song of Songs--Bernard of Clairvaux
The Seasons--James Thompson
The Rise of the Novel--John Watt
Defense of Poetry--Percy Shelley
Death of a Naturalist--Seamus Heaney
What Does it Mean To Orient Oneself Thinking?--Kant
In Memory of Things Past--Marcel Proust
The Stone of Venice--John Ruskin
Linguistics and Poetics--Roman Jakobson
Biography of Burke--Connor Cruise O'Brain
The Tractatus--Ludwig Wittgenstein
Liturgy, Socialism and Life: Conrad Noel--Mark Chapman
Left to Tell--Immaculee Ilebagiza
Reflections on the Revolution in France--Edmund Burke
The Human Condition--Hanah Arendt
Discourse on the Poor--Joseph Townsend
An Essay on the Principle of Population--Robert Malthus
Annals of Agriculture--Jeremy Bentham
The Constitution of Poverty--Mitchell Dean
Autobiography--John Claire
Reveries of a Solitary Walk--J J Rousseau
The Spirit of Medieval Philosophy--Etienne Gilson
Ends and Means--Huxley
My Quest for the Yeti--Reinhold Messner
Where Bigfoot Walks--Pyle
On the Track of Unknown Animals--Bernard Heuvelmans
Seeker--Jack McDevitt
The Speed of Dark--Elizabeth Moon
The Quantum Rose--Catherine Asaro
Parable of the Talents--Octavia E Butler
Slow River--Nicola Griffith
The Terminal Experiment--Robert J Sawyer
Darwin's Radio--Greg Bear
Red Mars--Kim Stanly Robinson
Doomsday Book--Connie Willis
Stations of the Tide--Michael Swanwick
The Healer's War--Elizabeth Ann Scarborough
The Falling Woman--Pat Murphy
Falling Free--Lois McMaster Bujold
Neuromancer--William Gibson
Startide Rising--David Brin
No Enemy But Time--Michael Bishop
The Claw of the Conciliator--Gene Wolfe
Timescape--Gregory Benford
The Fountains of Paradise--Arthur C Clarke
Dreamsnake--Vonda McIntyre
Man Plus--Frederik Pohl
The Forever War--Joe Haldeman
The Gods Themselves--Isaac Asimov
A Time of Changes--Robert Silverberg
Ringworld--Larry Niven
The Left Hand of Darkness--Ursula K Le Guin
Rite of Passage--Alexei Panshin
The Einstein Intersection--Samuel R Delaney
Theism and Humanism--Arthur James Balfour
Descent Into Hell--Charles Williams
The Life of Samuel Johnson--James Boswell
The Idea of the Holy--Rudolf Otto
The Prelude--William Wordsworth
The Temple--George Herbert
Le Jardin de L'Infante--Albert Samain
Autobiography--Teresa of Avila
The Biographical History of Philosophy--George H Lewes
An Inquiry Concerning Human Understanding--David Hume
Hyme to Proserpine--Algernon Charles Swinburne
The Scaffold--Auguste Villiers de L'Isle Adam
Confessions--Paul Verlaine
Eugenie Grandet, Cromwell--Honore de Balzac
L'Apres-Midi d'un Faune--Stephane Mallarme
Biography of Watts--W Loftus Hare
Culture and Anarchy--Matthew Arnold
The Ordeal of Richard Feverel--George Meredith
Marius the Epicurean, Imaginary Portraits--Walter Pater
Scenes de la vie de Boheme--Henry Murger
The Ideas of the Fall and Original Sin--N P Williams
Centuries of Meditation--Traherne
Scale of Perfection--Walter Hilton
Fermat's Enigma--Simon Singh
Real Mathematical Analysis--Charles Chapman Pugh
Mathematics: The Man-Made Universe--H M Schey
On the Game of Chess--Cecellous
The Box from Japan--Harry Stephen Keeler
The Anatomy of Melancholy--Robert Burton
One of the Guys--Robert Clark Young
The Falling Man--Don DeLillo
The Irresponsible Self--James Wood
White Teeth--Zadie Smith
The Kolyma Tales--Varlam Shalamov
And Quiet Flows the Don--Michail Sholokhov
Deep Survival--Lawrence Gonzales
Religion Within the Limits of Reason Alone--Immanuel Kant
Soldiers Three--Rudyard Kipling
How Washington Sold Our Soul for Saudi Crude--Bob Baer
The Strayed Reveller--Matthew Arnold
Travels with a Donkey--Robert Louis Stevenson
Vanity Fair--William M Thackeray
Die Revolution--Wagner
On Freedom of the Human Will--Schopenhauer
Philosophy of Right--Hegel
The Aesthetic Education of Man--Schiller
The Sorrows of Young Werther--Goethe
Decline of the West--Oswald Spengler
DaDa--Tristan Tzara
Mankind in the Making--H G Wells
Candide--Voltaire
The Future of Freedom--Fareed Zacardia
It Takes a Family--Rick Santorum
The Man in the Gray Flannel Suit--Sloan Wilson
Red Star Over China--Edgar Snow
Imitation of Christ--Thomas a Kempis
The Life and Opinions of Tristram Shandy--Laurence Sterne
Naked Lunch--William Burroughs
On the Nature of the Universe--Lucretius
State of Fear--Michael Crichton
Eco-Imperialism--Paul Driessen
Joshua and the Shepherd--Joseph Girzone
Atlas Shrugged, Fountainhead--Ayn Rand
In the Grip of Grace--Max Lucado
The Jesus I Never Knew--Philip Yancee
Summits and Secrets--Kurt Diemberger
The Epic of Mt Everest--Francis Younghusband
Manipulations--Harold Broadkey
Alone to Everest--Earl Denman
Everest--Walt Unsworth
The West Ridge--Tom Hornbein
The History of the Devil--Daniel Defoe
Sophie's Choice--William Styron
Divination--Cicero
The Protestant Ethic and Capitalism--Max Weber
Jesus in Beijing--David Akin
One Man's Bible--Gao Xingjian
Wild Swans--Jung Chang
Gorgias--Plato
Veronica Decides to Die--Paollo Coelho
World's End--T C Boyle
Degeneration--Max Nordau
The Rubaiyat--Omar Khayyam
Arthur: A Pilgrim--Arthur Blessitt
The Sixteenth Round--Rubin Carter
Autobiography--Lincoln Steffens
Jurgen--James Branch Cabell
Taras Bulba--Gogal
Kristin Lavransdatter--Sigrid Undset
The Magic Mountain--Thomas Mann
Novum Organum--Francis Bacon
Scrambles Amongst the Alps--Edward Whymper
Doctor Zhivago--Boris Pasternak
The Hungry Summer--John M Campbell
A Pedestrious Tour of Four Thousand Miles--Estwick Evans
The Cruise of the Corwin--John Muir
Breaking Point--Glenn Randall
Up the Black Chalkyitsik--Edward Hoagland
A Conquest of Tibet--Sven Hedin
Strange and Dangerous Dreams--Geoff Powter
Addicted to Danger--Jack Wickwire
Untimely Thoughts--Gorky
Mad White Giant--Benedict Allen
Lord Byron's Jackal--David Crane
Trelawny, A Man's Life--Margaret Armstrong
The Adventures of a Younger Son--Edward Trelawny
Native American in the Land of the Shogun--Frederik Schodt
Seven Pillars of Widsom--T E Lawrence
The White Spider--Heinrich Harrer
Battles with Giant Fish--F A Michtell-Hedges
A Prayer for Owen Meany--John Irving
His Dark Materials--Philip Pullman
The Day of the Locust--Nathanael West
The House of Mirth--Edith Wharton
Portnoy's Complaint--Philip Roth
USA--John Dos Passos
The Heart is a Lonely Hunter--Carson McCullers
The Way of All Flesh--Samuel Butler
Under the Volcano--Malcom Lowry
A Testament of Beauty--Bridges
Autobiography--George Muller
The Spirit of Christ--Andrew Murray
Earth's Earliest Ages--G H Pember
The Unbearable Lightness of Being--Milan Kundera
Everything Is Illuminated--Johnathan Safran Foer
A Heartbreaking Work of Staggering Achievement--Eggers
Man's Fate--Andre Malraux
The Egoist--George Meredith
The Good Earth--Pearl Buck
Piers Plowman--William Langland
The Monk--Matthew Lewis
Symposium--Plato
Three Years of Arctic Service--A W Greeley
New Lands within the Arctic Circle--Julius von Payer
A Thousand Days in the Arctic--Frederick Jackson
Narrative of the North Polar Expedition Ship Polaris--Hall
Memoirs--Hans Hendrick, trans. Dr. Rink
The Victories of Love--Coventry Patmore
Confessions--J J Rousseau
The Ice of the Siberian Sea--Aleksandr Kolchak
The Voyage of Captain Thomas James--R B Bodilly
Ulysses--Tennyson
Scott's Last Journey--Robert Falcon Scott
The Paper Chase--John Osborne Jr.
No Man's Land--Sir Martin Conway
In Northern Mists--Fridtjof Nansen
Sixteen Revelations of Divine Love--Lady Julian of Norwich
The Way to Christ--Jakob Boehme
The Alchemist, Volpone--Ben Jonson
Pensees--Blaise Pascal
Introduction to the Devout Life--Francis de Sales
The Faerie Queene--Edmund Spenser
The Humanity of God--Karl Barth
Foundations of Christian Faith--Karl Rahner
The Mind of the Maker--Dorothy Sayers
Pious and Secular America--Reinhold Niebuhr
Christ and Culture--Helmut Niebuhr
Message to Men of Thought and Science--M Maritain
A Vindication of Natural Society--Edmund Burke
Saul, Le Visions--Alphonse de Lamartine
A Dialog Between Self and Soul--W B Yeates
Pilgrim's Progess--John Bunyan
Laws of Ecclesiastes--Thomas Hooker
Summa Theologiae--Thomas Aquinas
The Third Day--Arnold Lunn
On the Freedom of a Christian--Luther
The Life of Milton--A N Wilson
Flatland--Abbott
Voyage of Arcturus--David Lindsey
A Case of Conscience--James Blish
Institutes of the Christian Religion--John Calvin
Orthodoxy--G. K. Chesterton
Leviathan--Thomas Hobbes
De Incarnatione--Athanasius
Ender's Game, Speaking For the Dead--Orson Scott Card
The Eternal City--Hall Caine
The Well Educated Mind--Susan Wise Bauer